Ways of Curating: Exploring the Visionary Practices of Hans Ulrich Obrist

Ways of Curating

by Hans Ulrich Obrist

4.7 out of 5

Language	:	English
File size	:	359 KB
Text-to-Speech	:	Enabled
Enhanced typesetting	:	Enabled
Print length	:	193 pages
Screen Reader	:	Supported

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: The Visionary Curator

Hans Ulrich Obrist (b. 1968) is one of the most influential curators of contemporary art, renowned for his innovative approach to exhibitions and his tireless support of emerging artists. Through his groundbreaking work at the Serpentine Galleries in London and other institutions, Obrist has shaped the trajectory of contemporary art and expanded the boundaries of curatorial practice.

Obrist's Curatorial Methods

Obrist's curatorial approach is characterized by several key methods:

1. Artist Interviews

Obrist is known for his extensive interviews with artists, which he conducts through his "Do It" project. These interviews, often published in books and online, provide invaluable insights into the artists' creative processes and perspectives on contemporary art.

2. Relational Aesthetics

Obrist is a proponent of relational aesthetics, an artistic movement that emphasizes the social interactions and participatory experiences generated by artworks. He has curated numerous exhibitions that encourage audience engagement, creating immersive environments that foster dialogue and community building.

3. Participatory Art

Building on relational aesthetics, Obrist showcases participatory art that directly involves viewers in the creative process. These works invite audiences to actively participate, blurring the lines between artist and viewer and challenging traditional notions of spectatorship.

4. Institutional Critique

Obrist's curatorial practice often involves institutional critique, examining the structures and power dynamics within art institutions. He challenges established norms and encourages a critical examination of the role of museums and galleries in contemporary society.

5. Conceptual Art and Performance Art

Obrist is a strong advocate for conceptual art and performance art, which defy traditional definitions of art objects and challenge the boundaries of artistic expression. He has curated groundbreaking exhibitions that showcase these ephemeral and experimental forms of art.

Groundbreaking Exhibitions

Obrist's curatorial vision has manifested in groundbreaking exhibitions that have left a lasting impact on contemporary art:

1. "The World as a Field" (2014)

This global exhibition, presented in multiple locations around the world, explored the interconnectedness of contemporary art and its ability to address social and political issues.

2. "Do It" (ongoing)

"Do It" is an ongoing project where Obrist invites artists to create instructions for artworks to be realized by others. This participatory project has generated a diverse collection of artworks that question authorship and the boundaries of artistic practice.

3. "The Serpentine Pavilion" (annual commission)

Since 2000, the annual Serpentine Pavilion commission has showcased innovative architectural designs by renowned architects. Obrist's involvement in this project has fostered a dialogue between art and architecture.

Impact and Legacy

Hans Ulrich Obrist's influence on contemporary art is undeniable. He has played a pivotal role in:

1. Promoting Emerging Artists

Obrist's support for emerging artists has provided them with a platform to gain international recognition and establish their careers.

2. Expanding Curatorial Practice

His innovative methods have expanded the boundaries of curatorial practice, challenging traditional notions of exhibitions and the role of museums.

3. Shaping Contemporary Art Discourse

Through his exhibitions, publications, and interviews, Obrist has actively shaped the discourse around contemporary art, fostering critical dialogue and promoting new artistic perspectives.

: A Master of Curatorial Innovation

Hans Ulrich Obrist is a master of curatorial innovation who has pushed the boundaries of contemporary art. Through his groundbreaking exhibitions and unwavering support for emerging artists, Obrist has redefined the role of the curator and inspired a generation of artists and art enthusiasts. His contributions will continue to shape the future of contemporary art for years to come.

Ways of Curating

by Hans Ulrich Obrist

4.7 out of 5

Language	:	English
File size	:	359 KB
Text-to-Speech	:	Enabled
Enhanced typesetting	:	Enabled
Print length	:	193 pages
Screen Reader	:	Supported

FREE