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Choreographing Intersubjectivity in Performance Art: New World Choreographies

Garrett Bell

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Choreographing Intersubjectivity in Performance Art (New World Choreographies)

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Language	:	English
File size	:	7776 KB
Text-to-Speech	:	Enabled
Screen Reader	:	Supported
Enhanced typesetting	:	Enabled
Print length	:	366 pages

In the realm of performance art, choreographers are increasingly exploring the potential of creating shared experiences that transcend individual perspectives. This is known as choreographing intersubjectivity, and it involves using movement, space, and time to create a sense of connection and communion between performers and audience members.

One of the pioneers of choreographing intersubjectivity is William Forsythe. In his work, Forsythe often uses improvisation and chance operations to create unpredictable and spontaneous moments that challenge the traditional division between performer and audience. One of his most famous works, "In the Middle Somewhat Elevated" (1997),features a group of dancers performing a series of intricate movements in a large, open space. The audience is free to move around the space and observe the performance from different angles, creating a sense of shared ownership and participation.

Another choreographer who has been influential in the development of choreographing intersubjectivity is Xavier Le Roy. Le Roy's work often explores the relationship between the body and the environment, and he frequently uses everyday objects and materials in his performances. In his piece "Self Unfinished" (1998),Le Roy invited audience members to interact with a series of objects placed on a table, creating a space for shared exploration and experimentation.

Meg Stuart is another choreographer who has made significant contributions to the field of choreographing intersubjectivity. Stuart's work is often characterized by its physical intensity and emotional rawness. In her piece "Blessed" (2001),Stuart and her dancers perform a series of repetitive and exhausting movements that explore the limits of the human body. The audience is invited to witness this physical and emotional struggle, creating a sense of shared vulnerability and empathy.

The work of these and other choreographers is helping to redefine the boundaries of performance art and challenge traditional notions of spectatorship. By choreographing intersubjectivity, these artists are creating spaces where performers and audience members can come together to experience a shared sense of connection and understanding.

Choreographing intersubjectivity is a complex and challenging undertaking, but it is also a powerful tool for creating meaningful and transformative experiences. As the field of performance art continues to evolve, it is likely that we will see even more innovative and groundbreaking work in this area.

Choreographing Intersubjectivity in Performance Art (New World Choreographies)

5 out of 5